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In order to drive both the concept and content home to audiences in meaningful ways, Björk tied collaborations, events and experiences together into the Biophilia project. Instruments that respond to smart technology and Earth processes like gravity and electricity were invented and manipulated and used throughout the recording of the album. She even manipulates her lyrics to fit with the general scientific discussions about some topics, like in “Dark Matter”, her lyrics have been scrambled like gibberish since little is known beyond speculation of this phenomena.
When pitching to venues, being completely honest about what you can deliver is essential for building trust and solid relationships for years to come. A promoter might ask: “What’s your draw for Kansas City?” If it’s 25, say 25, even if that means you won’t get booked. If it’s zero, say zero, but say you’re willing to boost Facebook ads in the area and send a bunch of press releases out.
We here at Soundfly always recommend that you read as much as you can about your craft. There’s no reason to stop learning, stop improving, or stop seeking better, more efficient, and more creative ways to make musical work. So without further ado, here are five essential recommendations for the mixing engineer’s bookshelf.
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Let’s talk about some of the basic aspects of a band’s visual aesthetic and hopefully this will inspire and motivate you to take a closer look at the image your band is giving off, and hone it into a style that will get people excited to check you out.
Does it give you a spark of creativity when you fire it up? Your gear should make you feel good when you plug into it. It’s possibly the most important factor when it comes to your equipment. If it doesn’t contribute positively — or worse, makes you uninspired — you don’t have to let it weigh you down.
“ZEZE”: Since there’s no F or F♭ anywhere, we could analyze this in E♭ minor or A♭ minor. Sticking an F in there sounds better to me, but we don’t know for sure which mode it’s in. And wait, this electro-pan-pipe, sweepy vox effect everyone’s been using on the hype-shouts this year — has this been around a while, or is it new? Asking for a friend.
This remarkable music video features an exceptionally talented young female dancer named Maddie Ziegler. Her stellar performance is both hypnotic and mesmerizing. (We love escalating dance performances in music videos — we did a whole thing on it.) The song itself conveys Sia’s struggles with alcohol and drug addiction, and Ziegler’s wild dancing is a striking visual depiction of that mixed with the guilt and pain that follows. She violently jumps and throws herself around the empty room with constantly changing expressions of anger, pain, confusion, excitement, and sadness. The room itself is empty and represents a mind that is distressed and sadly neglected.
Are you writing for millennials? A lot of millennials went through their rebellious phases when emo music was at its peak. With their brains changing and their hormones raging, the simple chord progressions and major tonalities of emo and pop punk have most likely been stamped into their subconscious as instant bookmarks of this phase of their life. Re-orchestrating a progression like vi-IV-I-V for non-guitar instruments will surely bring this audience back in subtle, emotive ways.
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All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach who’s invested in your success. With writing-focused courses like The New Songwriter’s Workshop, Unlocking the Emotional Power of Chords, and Songwriting for Producers, there’s nothing you won’t improve after a session with Soundfly!
Fundamentally, the more you study other artists, the more you’ll develop your own taste and palette. No one can explain how good lyrics work, but over time you’ll develop a deep, intuitive sense to guide your writing.
Alongside the environmental sounds of forest streams, crickets, and birdsong, Yoshimura recorded an incredibly unobtrusive, ambient tapestry of synthesized tones using a Yamaha DX7, TX7, and FB01, and a Roland MSQ-700 Sequencer in his home studio. Immerse yourself in this one!
Have you ever gone back to your childhood stomping grounds and felt goosebumps from some profound sense of immediate nostalgia? Do you ever get that same feeling watching television or a film?
Maybe you’re living with an illness but you still want to get out and tour so you can meet your fans. Maybe you gave up music for years and are now finally following your passion instead of working a dead-end 9-to-5. Or perhaps you came to music late and want to prove that you can still create just as well as people who have been playing for years. Whatever your struggle is, make it a part of your story and draw your fans into your world.