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Funnily, his music also set off debates across Europe about the new “trend” towards effeminate, sentimental, and “cowardly” music! Despite its popularity, people were worried composers were taking the modern opera in feminine directions. And perhaps to make matters worse, Queen Marie Antoinette rather loved his work and invited him to Paris to compose for the Academie Royale de Musique. We won’t go into the competitive “compose off” between he and Christof Gluck, but it is rather humorous that he had half of Paris up in arms about whether they’d support his music or his rival’s and declare themselves as either a Piccinnist or a Gluckist.
Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
The building block of serialism is the 12-tone “row” in which all chromatic notes are articulated in an order chosen by the composer. The row can then be developed in several different ways. For example, inversion flips the vertical structure of the row (an inverted row will descend if it ascended before); retrograde motion plays the row in reverse.
I’m sorry to report that women artists didn’t gain much ground this year. And even though male-female duets saw a healthy bump, not even one strictly female duet showed up to the party, while a full third of our 2018 “Top 5-ers” had at least two dudes in the room! I don’t know, maybe blame it on the surplus of Drakes lying around?
Because of their long, curvy waveforms, low frequencies experience phase attenuation more profoundly than other areas of the spectrum. You may want to high-pass your square wave so that it gives the bass line that extra grit without stepping on the feet of your sine’s big clear lows. Additionally, many producers like to make low-end seem fatter by using stereo widening effects. Use these carefully as the phase interactions between the low end of each stereo side can cause destructive interference. Use the mono/stereo switch on your DAW’s master track to check whether your low end survives when everything’s running through the center channel.
Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
We can help you get your tracks sounding professional in six weeks. All of our mentored online courses come with 1-on-1 coaching, guidance, and feedback on your work. So whether you’re interested to dive deep into a production-related topic like Advanced Mix Techniques, Making Music in Logic Pro X, or Songwriting for Producers, or just to work with a Soundfly Mentor directly to achieve your next musical goal, your next phase starts with Soundfly.
Some guitarists want to hear minimal pick attack in their recordings, while others (myself included) want a lot — especially on guitar solos. Pick attack presence is a combination of pickup selection, pick type, picking location, the angle of the pick, and your amp settings.
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If we want to take this a step further and become experimenting with even more unusual sounds, we can build modes on the two other Minor scales: The Harmonic and Melodic Minor scales. The resulting modes would be the following:
Youssra ِِEl Hawary is an Egyptian accordionist, composer, songwriter, singer, and actress. Her Indiegogo campaign raises funds to record her band’s debut album. The star of her campaign page is her video. It showcases personal endorsements from a number of artists and personalities in her circle. Each testimony is honest, uplifting, and respectfully urgent.
Learn the different scale types and modes that exist and the popular songs that make use of them, and all inside your DAW’s piano roll, in Soundfly’s game-changing free online music theory course series, Theory for Producers, taught by NYU professor Ethan Hein.
The relationship between typography and music isn’t always talked about, but if a band makes use of some identifiably unique typography or linguistic symbols, you’d know right away who the artist was if you saw a piece of unnamed promotional material. The best examples of typography can even go so far as to tell an audience what genre of music a band plays, without you even having to listen to them.
But that being said, inspiration isn’t always easy to find, and when you get stuck in your journey to find it, sometimes it’s not clear where to turn to hunt for more. Yet one of the most overlooked places to find fresh new ideas is actually right in front of your face, like right now: blogs!