Grants for female artists 2019
However, sometimes the music pours out too fast, or I have to cram a bunch of writing into a single night to meet some kind of deadline, then there’s less of an opportunity to analyze oneself and the only thing to do is trust that the little musical navigator will stop you from repeating yourself… Both methods are absolutely terrifying!
Program fees: Artists receive a fluctuating honoraria that typically averages around $2,000 to help support the residency costs as well as transportation to the island, etc. The cost to apply is $25.
Soundfly’s The Creative Power of Advanced Harmony takes you beyond cliché chord progressions and patterns, giving you an understanding of how to apply more complex harmonic concepts to your music while retaining a strong emotional core. Moving outside the boundaries of predictable chord progressions is what gives D’Angelo his swagger, Grizzly Bear their sophistication, and Erykah Badu her sense of ethereal other-worldliness.
Music education grants
In 2013, a 20-year-old Miley Cyrus was trying to shed her Hannah Montana good-girl youth image. Stuff like that can usually take an album or two, a couple promotion campaigns, and some time to sculpt, but not for Miley. Her image was resculpted in a matter of minutes with this viral good-girl-gone-bad performance at the the VMAs alongside the also-controversial Robin Thicke.
Welcome to Flypaper’s editorial column, Talking Points, where we revisit a lengthy lecture or Q&A with the greatest minds in music composition and production, and elucidate the most interesting details or concepts to gain a fresh perspective on the topic in question. In other words, we’ll pull out the talking points. Follow along with the series here, or sign up for our Soundfly Weekly newsletter to get more music learning like this in your inbox every Tuesday!
For some unestablished musicians, the thought of going from making music in a bedroom or garage to playing on stage in front of strangers seems more like a Grand Canyon’s wide leap than a seamless transition. Even before the thought of potential nervousness over performing live for the first time sets in, there are things to consider like how to build your set, where to play, and who to get in touch with about booking. This can indeed be a tricky transition, but luckily, it’s one you’ll only have to make once.
If the mastering step begins after mixing is done, but my song is not really “done” until it has been mastered, then how do I know when I’m done with mixing and ready to have my music mastered?
Will Kuhn suggests that the rhythms of “Clair de Lune” are so weird because Debussy was trying to notate rubato. That sounds plausible to me. It turns out that when you quantize the piece over beats, it sounds very syncopated and hip. Live and learn.
Call for curators
This is why creative residencies are so vital. They take us out of our hot, urban apartments and out of our busy, chore-laden lives. The best residencies for many of us are situated in natural settings that are purely inspirational in and of themselves, much lass as a result of the institutions or art centers hosting us.
If we compare D Dorian to its parallel (and generally more familiar) mode (D natural minor and not D major!), we would notice the following difference:
From this basis, I arrived at an elegant system of harmonic possibility that allowed me to compose music in an entirely new tuning system. I discovered rather than created this system, through a Bach-inspired process of “imaginative research,” infused with musical-theological connections in the spirit of Baroque metaphysics. For example, my use of the seventh partial mirrors and supports the subject matter of the Christmas/Nativity-themed text of the piece — according to Andreas Werckmeister, an organist and one of the main Baroque-era theorists of this system:
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And since we’re here, we may as well bring it back to the Fab Four again. The Beatles‘ “Hey Jude” starts on a minor third interval, once again at 0:00.